Waves had some of the most unique cinematography of 2019, using a multitude of aspect ratios, abstract movement and bold colours made for one of the most visually striking films in recent memory.

In today's video, I look at how Trey Edward Shults and Drew Daniel's shot Waves, breaking down their use of movement, why Shults decided to use many different aspect ratios and looking at their use of bold colours. I'll also break down the film quickly, and look at the equipment Daniels used to achieve the memorable look.

Timeline:
00:00 Introduction
00:39 Breaking Down Waves
02:29 Using Cinematography To Your Advantage
05:35 Equipment
06:31 Conclusion

Source: https://ascmag.com/blog/the-film-book...
Source: https://variety.com/2020/film/spotlig...
Source: https://ascmag.com/articles/rising-st...

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Films Mentioned:
Waves (2019)
Krisha (2015)
It Comes At Night (2017)

Music:
Wander - Emmit Fenn
Venkatesananda - Jesse Gallagher
Journey to the Past - Carmen María & Edu Espian
The Sea Captain & The Mermaid - Asher Fulero
Awake - Emmit Fenn
Blue Dream - Cheel