(SPOILERS FOR GET OUT [2017], BRAZIL [1985], NIGHT OF THE LIVING DEAD [1968], & VIDEODROME [1983])


This series aims to discuss films that I argue suffer tremendously from a single writing/directorial decision. That is not to say that it is the ONLY flaw in the entire film nor do I mean to say said flaw makes the film a complete and utter crap shoot, but rather the particular flaw significantly reduces the quality of the film and/or prevents it from being far more effective and/or thematically brilliant than it already may be.

On today's episode, we will discuss Jordan Peele's 2017 satirical horror film, Get Out! Be sure to subscribe, like, comment, and share!


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VIDEOS REFERENCED:

Get Out Original Ending:    • Alternate Ending | Get Out (2017)  


ARTICLES REFERENCED:

Oscars Genre Bias: https://www.indiewire.com/2018/06/her...

Jordan Peele on the original ending: https://collider.com/get-out-alternat...


MUSIC:

"End Titles (Montage)" by Michael Abels from the Get Out Original Motion Picture Soundtack

"Waiting for Daddy / Sam Lowry's Wetter Dream / The Monoliths Erupt" by Michael Kamen & The National Philharmonic of London from the Brazil Original Motion Picture Soundtrack