Designed by the illustrious Iraqi-British architect Zaha Hadid, the eye-catching Heydar Aliyev Centre opened in 2012, since when its astonishing curved, wave-like shape and innovative use of space have turned it into an icon of modern Azerbaijan. In 2014 the stunning structure, which doesn't have a single straight line, won the London Design Museum's prestigious Design of the Year Award.

The building aims to be a place that is open to anyone regardless of gender, race and origin and that brings people together united by shared ideas. And besides its extraordinary appearance, it’s also a world-class exhibition and museum complex where you’ll find a wide range of permanent and temporary curations showcasing the best of local and global arts and culture. Among the permanent collections, there's a museum exploring the life and legacy of the national leader Heydar Aliyev, a Mini Azerbaijan exhibition displaying miniature versions of the country's key landmarks, and even a very unique collection of classic cars.

In addition, the Centre also has a stylish cafeteria as well as a state-of-the-art auditorium that hosts international conferences and events. What's more, the surrounding area is effectively a large green park where, in warmer months, you can walk, relax and get away from the urban hustle and bustle.

Zaha Hadid Architects was appointed as design architects of the Heydar Aliyev Center following a competition in 2007. The Center, designed to become the primary building for the nation’s cultural programs, breaks from the rigid and often monumental Soviet architecture that is so prevalent in Baku, aspiring instead to express the sensibilities of Azeri culture and the optimism of a nation that looks to the future.

The design of the Heydar Aliyev Center establishes a continuous, fluid relationship between its surrounding plaza and the building’s interior. The plaza, as the ground surface; accessible to all as part of Baku’s urban fabric, rises to envelop an equally public interior space and define a sequence of event spaces dedicated to the collective celebration of contemporary and traditional Azeri culture. Elaborate formations such as undulations, bifurcations, folds, and inflections modify this plaza surface into an architectural landscape that performs a multitude of functions: welcoming, embracing, and directing visitors through different levels of the interior. With this gesture, the building blurs the conventional differentiation between architectural object and urban landscape, building envelope and urban plaza, figure and ground, interior and exterior.

One of the most critical yet challenging elements of the project was the architectural development of the building’s skin. Our ambition to achieve a surface so continuous that it appears homogenous, required a broad range of different functions, construction logics and technical systems had to be brought together and integrated into the building’s envelope. Advanced computing allowed for the continuous control and communication of these complexities among the numerous project participants.

The Heydar Aliyev Center principally consists of two collaborating systems: a concrete structure combined with a space frame system. In order to achieve large-scale column-free spaces that allow the visitor to experience the fluidity of the interior, vertical structural elements are absorbed by the envelope and curtain wall system. The particular surface geometry fosters unconventional structural solutions, such as the introduction of curved ‘boot columns’ to achieve the inverse peel of the surface from the ground to the West of the building, and the ‘dovetail’ tapering of the cantilever beams that support the building envelope to the East of the site.

To emphasize the continuous relationship between the building’s exterior and interior, the lighting of the Heydar Aliyev Center has been very carefully considered. The lighting design strategy differentiates the day and night reading of the building. During the day, the building’s volume reflects light, constantly altering the Center’s appearance according to the time of day and viewing perspective. The use of semi-reflective glass gives tantalizing glimpses within, arousing curiosity without revealing the fluid trajectory of spaces inside. At night, this character is gradually transformed by means of lighting that washes from the interior onto the exterior surfaces, unfolding the formal composition to reveal its content and maintaining the fluidity between interior and exterior.