久しぶりにMacに向かい爪弾く。

いつも通り先を決めずに出てきた音に肉付けを始め、それが膨らんで、更にイメージが湧くか？

大半は萎んでいくが、中にはイメージが次へのイメージへと導き、フィードバックを始める。まるでハウリングの様に。

それを膨らませ、と同時に削ぎ落としもしながら育てあげれたら作品に仕上がる。
視覚に似たイメージが先行するから言葉は記号の様に後付けでしかない。

サウンド的にはデジタルシンセを気持ちよく歪ませる挑戦をした。

-12dbのKorgのフィルターは、ほんと気持ちよくリニアに発振し歪んでくれたが。
デジタルだと一挙に歪むわキンキン耳障りだわ、、、しかもパラメーターが多すぎてツマミ２個で制御出来ないし、そもそも発信器の倍音成分が時間軸で変化しちゃうし。

でも何とか今回は気持ちよく歪ませられたかな。

It's been a while since I've sat down with my Mac and played on it.

As usual, I start fleshing out the sound that comes out without deciding on a destination, and it expands, and more images come to mind?

Most of them fade away, but some of them start to feed back, leading to the next image.
It's like howling.

If you can develop the image while at the same time cutting it down, you will have created a work of art.

Because the image is preceded by a visual image, the words are only an afterthought, like a symbol.

Sound-wise, it was a challenge to distort a digital synth in a pleasing way.

The -12db Korg filter oscillated and distorted linearly in a very pleasing way.
The digital one distorts all at once, and it is very unpleasant to listen to, and there are too many parameters to control with just two knobs, and the overtone component of the transmitter changes over time.

But this time I managed to distort it pleasantly.

Translated with DeepL.com (free version)