Controversial narratives in Andalusian history , where is the truth?!
The Narrator Speaking The Narrator Speaking
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 Published On Sep 2, 2024

In Andalusian history, there are many disputed narratives, especially regarding matters of conquest, and the personalities of the leaders Tariq bin Ziyad and Musa bin Nusayr and their relationship with the Caliph of the Muslims at that time, Al-Walid bin Abdul Malik, or regarding the Visigoth King Roderic, or the Emir of Ceuta, Julian Al-Ghamari, or other figures mentioned by many historical sources, both Spanish and Arabic. So where is the truth? And how do we read these narratives about #Andalusia_History from both sources? Watch the episode with us until the end and don't forget to confirm your subscription to the #And_the_Narrator_Said channel and activate notifications 🔔 to receive new content. Or you can now support the channel by subscribing    / hsnarrator   or the (Super Thanks) feature below each video, or support the channel through Patreon patreon.com/telshafei72, or through PayPal paypal.me/TElshafei
00:00 Introduction
01:07 Ludrex and the daughter of Yulian Al-Ghamari
04:23 "The sea is behind you and the enemy is in front of you.."
05:58 Disagreements between leaders
09:14 Musa bin Nusayr invades Europe
11:20 The end of Ludrex, King of the Goths
13:00 The truth about "King Solomon's table"
14:30 Pass of the Moor's Sigh
16:04 And finally
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⭕ Sources of the episode:
Ahmed Amin, The Dawn of Islam, Hindawi Foundation 2013
Stanley Lane-Poole, The Story of the Arabs in Spain translated by Ali Al-Jarim, Hindawi Foundation 2017
Muhammad Abdullah Annan, The Islamic State in Andalusia, Al-Khanki Library, Cairo
⭕ Visual material used: None
⭕ Photographs:
Wikipedia, the free encyclopedia, The Islamic conquest of Andalusia - The fall of Andalusia - History of Islam
All images are available in the public display and carry a Creative Commons license.
⭕ Audio material:
Desert Crossing, by: Gavin Lendt
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Audio was recorded with a BOYA M1 lavalier Clip-On Mic
https://amzn.to/3sft0Hj
Audio was processed with Audacity 3.0.2
Edited with Adobe Premiere 2018
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