Our Dreams at Dusk - The Use of Visual Metaphors
lines in motion lines in motion
112K subscribers
136,317 views
13K

 Published On Premiered Oct 2, 2021

Yuhki Kamatani is one of my favourite mangaka. Their work utilises the ideology of applying visual metaphors in a way of creating visceral pages of art without relying on text spelling out emotions to the reader.

Much like Witch Hat Atelier, Our Dreams at Dusk is another manga that is very special to me, and in ways, is very unique in its visual illustrations. Metaphors aren’t new to manga, but Kamatani most definitely produces imagery that is so succinct in translating a word, a feeling, a depiction into imagery alone - that their work continues to be a stand out to me in the drawing world.

I apologise for the late-ness of the video, but given it’s all animated manga pages, not to mention covering topics that are quite raw to me in general, it was certainly a big task. Hopefully the video makes up for the time it took to make, and I look forward to working on even more projects for you guys!

🔹 WHERE TO BUY🔹
👉 If you want to buy the manga, the links below are affiliate links which means if you buy something through the link (no extra cost to you!) I'll receive a small commission and put it towards the channel.

Our Dreams at dusk vol 1: https://amzn.to/39YlA2f
Our Dreams at dusk vol 2: https://amzn.to/2Yc25R3
Our Dreams at dusk vol 3: https://amzn.to/3itmoRr
Our Dreams at dusk vol 4: https://amzn.to/3B5XKxs
The Poe clan (Moto Hagio): https://amzn.to/3isov7Z
Otherworld Barbara (Moto Hagio): https://amzn.to/3A3LpZl
A Drunken Dream & Other Stories: https://amzn.to/3a19Iga

🔹 OTHER 🔹
Find me on twitter:   / linesinmotion  
Support me on Patreon:   / linesinmotion  

🔹CONTRIBUTE TRANSLATED SUBTITLES/CAPTIONS🔹
https://amara.org/en/videos/02Xfa0fnG...

🔹 TIMESTAMPS 🔹
00:00 - 3:02 What are Visual Metaphors
3:03 - 6:49 Moto Hagio Influence
6:50 - 12:13 Death and Distortion
12:14 - 14:45 Someone-san
14:46 - 19:11 Space and Enclosure
19:12 - 22:14 Expressionism
22:15 - 25:22 Other
25:23 - 26:06 Ending
26:07 - 26:50 Outro

show more

Share/Embed