From Wikipedia:
Yessongs is the first live album by the English rock band Yes, released as a triple album in May 1973 on Atlantic Records. After completing their Close to the Edge Tour in April 1973, the band selected live recordings between

February and December 1972 on their tours supporting Fragile (1971) and Close to the Edge (1972) for a live album release. They were then edited and remixed with their producer and live sound mixer Eddie Offord. Three tracks

feature original Yes drummer Bill Bruford while the remaining tracks feature his replacement, Alan White.

In September 1971, the Yes line-up of singer Jon Anderson, bassist Chris Squire, drummer Bill Bruford, guitarist Steve Howe, and newcomer keyboardist Rick Wakeman embarked on their Fragile Tour in support of the band's fourth

studio album, Fragile (1971). The tour saw the band play across the United Kingdom, the United States, and Europe until March 1972. Following the recording of their fifth studio album, Close to the Edge (1972), the band

resumed as a live act on 30 July 1972 to support the album. The tour saw the debut of drummer Alan White in the band after Bruford left when recording for the album had finished. His departure came eleven days prior to the

tour's start, leaving White to learn the band's repertoire in three days. The tour ended in April 1973, by which time Yes had made additional live recordings.

Recording locations:
23 February 1972 at the Academy of Music in New York City, New York – "Perpetual Change" and "Long Distance Runaround"/"The Fish (Schindleria Praematurus)", as suggested by the band's 1973 Australian tour book
1 November 1972 at Ottawa Civic Centre in Ottawa, Ontario – "Roundabout"
12 November 1972 at Greeensboro Coliseum in Greensboro, North Carolina – "Heart of the Sunrise", "And You and I", the second half of "I've Seen All Good People"
15 November 1972 at Knoxville Civic Coliseum in Knoxville, Tennessee – "Siberian Khatru", the first two thirds of "Excerpts from 'The Six Wives of Henry VIII'", "Yours Is No Disgrace"
20 November 1972 at Nassau Coliseum in Uniondale, New York – "Opening (Excerpt from 'Firebird Suite')", the final third of "Excerpts from 'The Six Wives of Henry VIII'", "Mood for a Day"
15 December 1972 at the Rainbow Theatre in Finsbury Park, London – "Close to the Edge", "Starship Trooper"

Lyrics:
[I Cord Of Life]

A man conceived a moment's answer to the dream
Staying the flowers daily, sensing all the themes
As a foundation left to create the spiral aim
A movement regained and regarded both the same
All complete in the sight of seeds of life with you

Changed only for a sight of sound, the space agreed
Between the picture of time behind the face of need
Coming quickly to terms of all expression laid
Emotions revealed as the ocean maid
All complete in the sight of seeds of life with you

Coins and crosses
(Turn round tailor, assaulting)
Never know their fruitless worth
(all the mornings of the interest shown,
presenting one another to the cord)
Cords are broken
(All left dying, rediscovered
Of the door that turned round)
Locked inside the mother Earth
(To close the cover, all the
interest shown)
They won't hide, hold, they won't tell you
(To turn one another, to the
sign at the time float your climb)
Watching the world, watching all of the world
Watching us go by

And you and I climb over the sea to the valley
And you and I reached out for reasons to call

[II Eclipse]

Coming quickly to terms of all expression laid
Emotions revealed as the ocean maid
As a movement regained and regarded both the same
All complete in the sight of seeds of life with you

[III The Preacher, The Teacher]

Sad preacher nailed upon the coloured door of time
Insane teacher be there reminded of the rhyme
There'll be no mutant enemy we shall certify
Political ends as sad remains will die
Reach out as forward tastes begin to enter you
Oooh, ooh

I listened hard but could not see
Life tempo change out and inside me
The preacher trained in all to lose his name
The teacher travels, asking to be shown the same
In the end we'll agree, we'll accept, we'll immortalize
That the truth of man maturing in his eyes
All complete in the sight of seeds of life with you

Coming quickly to terms of all expression laid
As a moment regained and regarded both the same
Emotion revealed as the ocean maid
A clearer future, morning, evening, nights with you

[IV Apocalypse]

And you and I climb, crossing the shapes of the morning
And you and I reach over the sun for the river
And you and I climb, clearer towards the movement
And you and I called over valleys of endless seas