Let's talk about something that's necessary to write Orchestral Music like the Pros: layering.
Be it layering different instruments, different articulations or even different libraries together, this is a fundamental skill to understand in order to achieve the full sound you often hear in Triple-A Games & Film scores from people like Hans Zimmer, Ramin Djawadi & more.
In this example we'll talk about it from the perspective of a certain brass section in my latest original composition.
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- PROJECT STEMS / MIDI OF THIS TRACK:   / 64754534  
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🎼 PROJECT FILES: https://www.patreon.com/alexmoukala?ty=h
⏫ PRIVATE LESSONS: https://alexmoukala.com/
📚 COMPOSING COURSES: http://goo.gl/HJPXqg
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🎧 MY MUSIC:    / alexmoukalamusic  
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🎻 LIBRARIES & SOFTWARE:
- Strings: Metropolis Ark 1, Metropolis Ark 3, Cinematic Strings 2, Fluid Shorts, Jaeger
- Brass: Metropolis Ark 1, Metropolis Ark 3, Century Brass, Jaeger
- Percussion: Damage, Rhapsody Orchestral Percussion
- Choir: Metropolis Ark 1, Oceania
- Piano: The Giant
- Solo Vocals: Jaeger, Vocalisa
- Guitars: Guitar Rig
- Trailer SFX: Juggernaut, Cinematic Trailers Designed, Scenes From The Multiverse Vol.1, Shredders, AVA Instinct
- Mixing & Mastering: iZotope Ozone, ValhallaRoom, ValhallaShimmer, FL Studio Plugins
- DAW: FL Studio 20
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💻 HARDWARE & PC SPECS:
- Desktop PC: 3.7 GHz Intel Core i7 8700k / 32GB DDR4 RAM / 2TB Samsung Evo860 M.2 SSD
- Laptop PC: Asus ROG GLW752 (2.6GHz Intel Core i7-6700HQ / 16GB DDR4 RAM / 1TB Samsung Evo860 M.2 SSD)
- Audio Interface: M-Audio M-Track Plus
- MIDI Keyboard: M-Audio Keystation 49 MkIII