Camera and lens choices for stop-motion || Dave-Alex Riddett || Spotlight
Cooke Optics Cooke Optics
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 Published On Feb 20, 2017

Dave-Alex Riddett discusses Aardman's conversion from film to Digital and the decisions behind how they chose their equipment.

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Thank you to the British Society of Cinematographers (BSC). http://www.bscine.com/

Filmed with a Sony FS5 and Cooke Mini S4/i Lenses.
Produced by ImageNova. http://www.imagenova.co.uk.
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