And for extra fun, grab yourself picks, brushes, various percussion objects and go to town! Basically every single vibration on the surface of the pedal will be translated into signal. And grab a few springs too: if you can stretch them between two of the four poles, the sounds you can met will be completely unique!

FAQ:
- sound modules are top mounted and easily installed with zero tools
- sound module alone is completely passive (and works acoustically too)
- has passive volume pot
- signal travels to the amp without any batteries
- battery is only required for fuzz and delay circuits (bypassable)
- works either as a pedal or as an instrument
- fuzz is dynamic and has only a volume knob
- delay time is from 62ms to 606ms measured
- feedback from 1 repeat to self oscillation (gradual and controllable)
- side button instantly dimes the feedback (for self oscillation)

Find all Pedal Tree strictly THD handmade unique works of art right here:
https://www.pedaltree.de/

We use sE Electronics microphones! The T2 is the be-all end-all LDC. From the only TITANIUM sputtered capsule microphone manufacturer in the world. Compact lollipop design (hangs from cab), the 4 polar patterns (all useful), extremely accurate frequency response 20Hz to 20kHz, great transient response and durability make it THE objective choice for us. Nothing else we tried compared to it. Our T2 shall never leave us: one of the best microphone designs in history.
https://seelectronics.com/
  / seelectronics  

We use Klotz AIS cables! LaGrange and Titanium series cables are just what the pandas ordered for utmost signal integrity and noise free operation, every single day!
https://www.klotz-ais.com/
  / klotzcables  
  / klotzais  

We use Triton Audio products to protect our dynamic mics from phantom power 48V when going stereo. Try their Phantom Blocker, FetHead Transformer and other mic preamp devices right here: https://www.tritonaudio.com/

The RIG:
Pedal Tree Electronic Thing
- spring sound module

Orange OR15
- clean settings: 15W setting, Master dimed, Preamp 8:30, TMB at noon
- high gain settings: 15W setting, Master 8:30, Preamp 13:00, TMB at noon

Friedman PT112
- Celestion G12M-65 Creamback
- 16 ohms (matched impedance)

LEFT: sE Electronics T2 (set cardioid)
RIGHT: Sennheiser E906 (+ Triton Audio FetHead Transformer)
- both slightly off axis, on the grill

Presonus Studio 68c

Audacity
- no post processing

Music & Animations by Pair of Pandas, all rights reserved.

We are Pair of Pandas! ʕ｡◠㉨◠｡ʔʕ｡◠㉨◠｡ʔ We make gear demos, comics, manga and music! Follow us on social media for the mightiest red panda comics:
  / pairofpandas  

And of course, LIKE and SUBSCRIBE to our youtube channel for gear demos, gear unboxing, gear shootouts, gear gear and music!!! ʕ˵◕ᴥ◕˵ʔʕ˵◕ᴥ◕˵ʔ
#piezo #piezoelectric #springreverb

Time Stamps! ฅʕ≧ᴥ≦ʔʕ≧ᴥ≦ʔฅ

00:00 Springs and dings alone
00:56 Springs and Delay
03:07 Freeze Springs
04:04 Fuzzy Springs
05:35 Dynamic Gain Springs
06:44 High Gain + Delay
07:03 SELF-OSCILLATION
08:40 Fuzz and Gain and SPRINGS!
10:09 Outro