#scriabin #performance #crossover

The performance re-interpreting the Five Late Piano Sonatas by Alexander Scriabin with a fresh look on classical music from a contemporary angle: interlacing sound, color, movement, light, scent, and space took place on February 29, 2024 at György-Ligeti-Saal MUMUTH, Graz, Austria.

Project information: https://intertwiningarts.org/scriabin...

Watch the ARTISTIC Film:    • The SCRIABIN SONATAS Reimagined, Part...  
Watch the DOCUMENTARY Film:    • THE PROCESS: The SCRIABIN SONATAS Rei...  

• Classical Piano ‪@ElinaAkselrud‬
• Contemporary Dance Improvisation ‪@leaoroz4167‬
• Light Performance NINJA GURU Studio
• Stage Design Yunnai Zhang
• Cinematography ‪@alisakobzar‬ ‪@edakselrud8524‬
• Sound Production Benedikt Alphart
• Olfactory Installations Naoko Kusunoki

1:37 Sonata No.6, Op.62 – INEVITABILITY | THROE
14:45 Sonata No.7, Op.64 – COUNTERFORCE | SPIN
26:10 Sonata No.8, Op.66 – INTROSPECTION | ETHEREALITY
41:20 Sonata No.9, Op.66 – DICHOTOMY | CURSE
50:27 Sonata No.10, Op.70 – TRANSFIGURATION | INCORPOREITY

THE SCENTS OF SCRIABIN SONATAS are unique custom-made aromas, created by the Japanese perfume/olfactory artist Naoko Kusunoki, who works in her Tokyo Studio Your Exclusive: https://www.yourexclusive.jp/

Naoko has elaborated on Alexander Scriabin’s ideas for each of the Late Five Sonatas: she took into consideration not only the music, but also the plot, the message, the emotional state, the color of each tonal center, as well as the evidence Scriabin himself left us with, according to historical sources. She has then produced five aromas, specifically tailored to each of the Late Sonatas. You can see her work process by exploring the mind map that she has kindly provided to publish: https://intertwiningarts.org/scriabin...

You can ORDER YOUR NEW FAVORITE SCENT by clicking below - Discovery sets available. Please note that the edition is very limited!
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No.6 Fuzzy Amber
Dominant notes: Lotus | Powder | Incense

No.7 Crystalline Fruity
Dominant notes: White Peach | Peony | White Musk

No.8 Solitary Green
Dominant notes: Mint Tea | Forget-me-not | Rain

No.9 Evil Woody
Dominant notes: Black Tea | Iris | Tobacco

No.10 Delightful Floral
Dominant notes: Sparkling Citrus | Pink Rose | Vanilla

In his later works, Alexander Scriabin incorporated into his compositions an expanding set of genres that involved sensations beyond the aural, such as light, color, movement, scent, touch, space. In this project the Intertwining Arts Team focuses on the intersubjective artistic interpretation, which multiplies and unfolds the first-person experience of an artist, and which was of special interest to Scriabin himself. We are presenting his Five Late Sonatas, which are paradigmatic of his late piano works. However, evident of his holistic approach, the score itself does not sufficiently indicate his artistic ideas. Therefore, the full extent of Scriabin’s artistic goals for his late sonatas must be gathered in additional sources. Scriabin's creative vision can then be fulfilled and reconstructed through the use of multiple art forms.

Through the intermedial combination we explore the emotional depths and the challenges of the Five Late Sonatas, ranging from bliss to estrangedness, from wickedness to radiant joy, as well as particular kinds of thoughts or imageries that would put the artists themselves into a specific headspace, which will in turn affect the interpersonal interpretational decision-making. These crossdisciplinary processes create fresh and unique links with the audience, enabling them to perceive the production from various angles, while leaving a profound multi-sensorial input.

Scriabin pointed out that “through music and color, with the aid of perfume, the human mind or soul can be lifted outside or above merely physical sensations into the region of purely abstract ecstasy and purely intellectual speculation.”

The goal of the Intertwining Arts Team was to conduct an artistic experiment for the Sonatas Nos. 6-10 and to focus extensively on incorporating Alexander Scriabin’s multidisciplinary ideas, conceptual directions, and imagery by the means of symbolism and expanding artistic interpretation from a solo piano recital to a crossdisciplinary performance, as well as creating the cinematic version of the project in two parts (links above), in order to depict the process from all the possible angles — which means including not just the pure artistic product, but also capturing discussions, interviews, and tryouts.

We are extremely grateful for the support of:

University of Music and Performing Arts Graz
Doctoral School for Artistic Research
Stadt Graz Kulturamt
Land Steiermark Kultur, Europa, Sport