⬆️⬆️    • 80 BPM Drum Beat - Simple Straight  
⬆️    • 75 BPM Drum Beat - Simple Straight  
⬇️    • 65 BPM Drum Beat - Simple Straight  
⬇️⬇️    • 60 BPM Drum Beat - Simple Straight  

70 bpm drum beat 4/4

   • 30 BPM - Simple Straight Beat - Drum ...  
   • 40 BPM - Simple Straight Beat  

   • 50 BPM Drum Beat - Simple Straight  
   • 60 BPM Drum Beat - Simple Straight  
   • 65 BPM Drum Beat - Simple Straight  
   • 70 BPM Drum Beat - Simple Straight  
   • 75 BPM Drum Beat - Simple Straight  
   • 80 BPM Drum Beat - Simple Straight  
   • 85 BPM Drum Beat - Simple Straight  
   • 90 BPM Drum Beat - Simple Straight  
   • 95 BPM Drum Beat - Simple Straight  

   • 100 BPM Drum Beat - Simple Straight  
   • 105 BPM Drum Beat - Simple Straight  
   • 110 BPM Drum Beat - Simple Straight  
   • 120 BPM Drum Beat - Simple Straight  
   • 130 BPM Simple Straight Beat - Drum T...  
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   • 150 BPM - Simple Straight Beat - Drum...  
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   • 190 BPM - Simple Straight Beat - Drum...  
   • 200 BPM - Simple Straight Beat - Drum...  

#70bpm #drumtrack #simplebeat

The best sounding drumming tracks & loops for playing, jamming, practicing or composing.
Use it like a cool metronome. Pop, Rock. It shows the measure number at the top left.
70 Beats per Minute 4/4

In music theory, the term "pulse" refers to a sequence of uniformly spaced beats that may be either heard or suggested, which establishes the tempo and serves as the foundational structure for rhythm. While rhythm, which is always audible, may deviate from the steady pulse, it remains detectable by even untrained listeners who can instinctively synchronize with the pulse by tapping steadily, regardless of rhythmic complexities or the varying timing of sounds.

The speed of the pulse is defined as the tempo. A pulse that is excessively rapid can transform into a drone, whereas one that is too slow might seem like a series of unrelated sounds. Generally, pulses that are faster than eight to ten beats per second or slower than one beat every 1.5 to 2 seconds are not recognized as continuous beats. Typically, musical pulses fall within 40 to 240 beats per minute. In written music, this pulse is often represented as a crotchet (or quarter note), found in the time signature.

The pulse serves a fundamental role in music, crucial not only for establishing meter—which measures the number of pulses between more prominent, regularly occurring accents—but also in forming the basis for rhythmic patterns. Even though the pulse tends to be uniform, variation in accentuation can lead to the formation of two or three-pulse groups, like strong-weak or strong-weak-weak, which can be further divided into even longer segments.

Pulses can also operate at various metric levels. For instance, an isochronal pulse at one level can interplay with varied pulse groupings at another, establishing a complex, multi-level rhythm. This interaction might result in a non-isochronal pulse at a broader metric level, exemplified by a sequence of pulses that alternate in duration—such as a quarter note followed by a dotted quarter note. This layered approach to pulse and rhythm enhances the musical experience, underlining the intrinsic human inclination to organize and differentiate rhythmic patterns.