Unpicking the gendered body: new research in the history and material culture of clothes
History Council of Victoria History Council of Victoria
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 Published On Mar 27, 2022

Presented March 2022

In March we observe Women’s History Month, adding historical context to annual celebrations of International Women’s Day on 8 March. In this Making Public Histories seminar three historians of dress present recent work exploring history and material culture. Their topics range in time from the Elizabethan era to the 1920s and consider how dress functioned to shape gendered bodies in the past.

Panelists

Dr Sarah Bendall

‘Shaping the Body in Early Modern England: Foundation Garments and Women’

The structured feminine silhouette of the sixteenth and seventeenth centuries was achieved using garments called bodies and farthingales, predecessors of later corsets and crinolines. In this talk Sarah Bendall discusses how these garments began to shape and define changing notions of the feminine bodily ideal, social status, sexuality and modesty in early modern England, influencing enduring Western notions of femininity.

Sarah A. Bendall is a Research Fellow at the Gender and Women’s History Research Centre, Institute for Humanities and Social Sciences, Australia Catholic University. She is a material culture historian who specialises in the gendered and embodied experiences of dress, as well as the production, trade and consumption of global commodities and fashionable consumer goods between 1500-1800. Her current research examines experimental history approaches, the roles of women in the clothing trades during the seventeenth century, and the widespread use of whaling products in fashion between the years 1500-1800.

Dr Lorinda Cramer

‘“Always to appear respectable” and the “butterflies about town”: Dress in gold-rush Victoria’

Gold-rush commentators deplored extravagant dress. Considering it a vulgar display of wealth, they encouraged modest good taste instead. While this began with sensible purchases, it extended to care and maintenance – for gowns were worn over many years and mended, adjusted, bequeathed and handed down.

Dr Lorinda Cramer is a postdoctoral researcher at the Australian Catholic University, currently working on the ARC Discovery project Men’s Dress in Twentieth-Century Australia: Masculinity, Fashion, Social Change. Her research into dress and domestic sewing practices in nineteenth-century Australia was published by Bloomsbury in 2020 as Needlework and Women's Identity in Colonial Australia.

Assoc. Prof. Melissa Bellanta

‘The Shoddy Dropper: Working-Class Men and Fashion in 1920s Australia’

This talk uses the interwar career of the Melbourne con-man, Louis Stirling, to offer insights into Australian working-class men’s relationship to fashion in the roaring twenties. For a brief period, Stirling was a ‘shoddy dropper’: a salesman who sold supposedly-quality suit lengths door-to-door. Considering the rise of shoddy dropping, the talk sheds light on the dress practices and longings of urban working-class men in 1920s Australia, counteracting the tendency only to think about women when considering fashion in the day.

Melissa Bellanta is Associate Professor of Modern History in the Australian Catholic University’s National School of Arts. She is a social, cultural and gender historian with interests in material culture, fashion, the history of emotions and masculinities, particularly in late-nineteenth and twentieth-century Australia.


Alicia Cerreto, Executive Officer of the History Council of Victoria hosted the evening, and HCV Board Member Associate Professor Susie Protschky facilitated the Q&A.



The seminar is part of an ongoing series, Making Public Histories, that is offered jointly by the Monash University History Program, the History Council of Victoria and the Old Treasury Building. Each seminar aims to explore issues and approaches in making public histories. The seminars are open, free of charge, to anyone interested in the creation and impact of history in contemporary society. Click HERE to learn about other events in the series.

We thank the series sponsors, Monash University Publishing, the Monash University History Program and the Old Treasury Building.

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