This is my conversation with Robin Rimbaud. It took place on 6/11/2021 from his home in London

Robin Rimbaud - Scanner is an artist and composer working in London. Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums Mass Observation (1994), Delivery (1997), and The Garden is Full of Metal (1998). His work has been presented throughout the United States, South America, Asia, Australia and Europe.

Albums (as Robin Rimbaud)
Sub Rosa Live Sessions (Sub Rosa, 1996)
The Garden Is Full of Metal (Homage to Derek Jarman) (Sub Rosa, 1997)

Albums (as Scanner)
Scanner (Ash International, 1993)
Scanner 2 (Ash International, 1993)
Mass Observation (Ash International, 1994)
Sulphur (Sub Rosa, 1995)
Spore (New Electronica, 1995)
Delivery (Earache, 1997)
StopStarting (Audio Research Editions, 1998)
Sound for Spaces (Sub Rosa, 1998)
Lauwarm Instrumentals (Sulphur, 1999)[10]
Diary (Sulphur, 2000)
Technorama (Digital Vision, 2001)
52 Spaces (Bette, 2002)
Nemesis: Original Score For Random Dance Company (Bette, 2002)
Warhol's Surfaces (Intermedium, 2003)
Double Fold (rx:tx, 2003)
Reason by Heart, Sleep by Twilight (BineMusic, 2005)
The Radiance of a Thousand Suns Burst Forth at Once (Steamin' Soundworks, 2005)
Messe, Macht Des Klangs / Klang Der Macht (KunstRäume Leipzig, 2005)
Consegnaci, bambina, i tuoi occhi (Horus, 2009)
Rockets, Unto the Edges of Edges (BineMusic, 2009)
In-Between (Bette, 2011)
Voyager: Amongst Others (Atelier, 2011)
Pavillon D'Armide / Amarant (Bette, 2011)
timelapse/(Mnemosyne) (Bette, 2011)
Colofon & Compendium 1991-1994 (Sub Rosa, 2012)
Electronic Garden (BineMusic, 2014)
Fibolae (Pomperipossa, 2017)
The Great Crater (Glacial Movements, 2017)
The Signal of a Signal of a Signal (Touched, 2019)
Trawl (Aquarellist, 2020)
An Ascent (DiN, 2020)