Backstreet Boys Biography

At the height of a commercial teen pop explosion in the late '90s, the Backstreet Boys emerged at the top of the boy band pack alongside friendly rivals *NSYNC, quickly trailed by a crop of imitators. Their hybrid of R&B balladry, hip-hop, and dance pop initially found its greatest audience in Canada and Europe, while success in their native land didn't follow until mainstream pop hit it big on radio and MTV in America. Early singles "Quit Playing Games (With My Heart)" and "Everybody (Backstreet's Back)" were their first platinum hits, rising into the Top Four of the U.S. singles chart. Benefiting from the strength of their harmony vocals and balance of heartfelt ballads with propulsive dance anthems, their third album, 1999's Millennium (home to their worldwide smash "I Want It That Way"), topped the charts and was certified multi-platinum across the globe, while follow-up Black & Blue extended their reign. In the 2000s, they took steps away from the Max Martin hitmaking sound that shot them to stardom, maturing with their fan base via adult contemporary pop on the reinventive Never Gone (2005), Unbreakable (2007), and This Is Us (2009). Nearly two decades after their previous number one, the quintet issued 2019's DNA, which returned them to the top of the charts.

The early core of the Backstreet Boys was comprised of cousins Kevin Richardson and Brian Littrell, both of whom hailed from Lexington, Kentucky. The two began singing in local church choirs and festivals while they were children, performing doo wop and R&B songs in the style of Boyz II Men. Two of the group's other members, Howie Dorough and A.J. McLean, were natives of Orlando, Florida, who met each other -- as well as transplanted New Yorker Nick Carter -- through auditions for local commercials, theater, and television. At one audition, the three discovered that they shared an affection for classic soul and could harmonize well together. Inspired, they formed a vocal trio. Shortly thereafter, Richardson moved to Orlando, where he became a tour guide at Disney World and concentrated on music at night. Eventually, he met Dorough, Carter, and McLean through a co-worker, and the four decided to form a group, naming themselves after an Orlando flea market. Littrell was later invited to join, thus turning the group into a quintet.

With the help of Louis J. Pearlman (who would later rise to mogul status on the strength of his teen pop acts), the Backstreet Boys secured management from Donna and Johnny Wright, the latter of whom had managed New Kids on the Block during the 1980s. The Wrights put the group out on the road and enlisted several A&R reps to attend the performances, which eventually resulted in a contract with Jive Records in 1994. Jive set the Backstreet Boys up with producers Veit Renn and Tim Allen, who helped shape the group's eponymous album. Released throughout Europe in late 1995, the record enjoyed considerable success, spending several weeks in the Top Ten in most Continental countries where it charted. In the U.K., the Backstreet Boys were named Best Newcomers of 1995 at the Smash Hits Awards thanks to their international hit single "We've Got It Goin' On." After scoring another European hit with "I'll Never Break Your Heart," the group released its album in Canada. Despite the Backstreet Boys' popularity in Europe and Canada, "We've Got It Goin' On" stalled in the lower reaches of the U.S. charts in 1995.

Backstreet's Back
Combining their international singles with new tracks (which also formed the centerpiece of that year's European-only album Backstreet's Back), the American version of Backstreet Boys finally jump-started the group's success at home. "Quit Playin' Games (With My Heart)" and "As Long as You Love Me" proved to be popular singles, with the former track climbing to platinum status and peaking at number two on the Billboard Hot 100 (their highest charting single). The album continued to spin off hits well into 1999, with "Everybody (Backstreet's Back)," "I'll Never Break Your Heart," and "All I Have to Give" all landing on the charts. Both the former and the latter were platinum Top Five hits, and the album eventually sold an astounding 14 million copies in America alone.

In the meantime, the group saw its share of turmoil as Littrell underwent surgery in early 1998 to correct a congenital heart defect. Additionally, the Boys became embroiled in lawsuits against Pearlman and the rest of their management over royalties. When the dust settled, Pearlman remained the group's manager -- though the rest of the team was fired -- and the Boys began work on their follow-up album. Millennium was released in the summer of 1999 and debuted at number one, with first-week sales topping one million copies.