"Jonathan Larson made something that quite literally changed my life so when my collaborator Laura and I found out we had received a Jonathan Larson Grant back in 2022 it was really the most mindblowing and humbling experience." - Shayok Misha Chowdhury

The Jonathan Larson Grant is an unconditional annual investment in individual talent. The grant is awarded to musical theatre composers, lyricists, and librettists, or writing teams, early in their career, to support artistic endeavors and safeguard long-term music writing careers.

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About Shayok Misha Chowdhury
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Shayok Misha Chowdhury is a many-tentacled writer, director, and music-maker based in Brooklyn. Currently: Misha is writing PUBLIC OBSCENITIES (Soho Rep, NAATCO), a new bilingual play, and RHEOLOGY (HERE Arts), a concert-memoir-physics-symposium. Recently: BROTHER, BROTHER (New York Theatre Workshop) with Aleshea Harris; MUKHAGNI (Under the Radar) with Kameron Neal; HOW THE WHITE GIRL GOT HER SPOTS AND OTHER 90s TRIVIA (Joe’s Pub, Ars Nova) with Laura Grill Jaye. Misha and Laura have written many musicals together; their current collaboration, BLOOD OLEANDER, reimagines a century-old Bengali drama in Tennessee coal country. Misha is also the creator of VICHITRA, a series of sound-driven, cinematic experiments including IN ORDER TO BECOME (Bushwick Starr), which he is developing into a queer Carnatic opera. He was a soloist and collaborator on the Grammy-winning album CALLING ALL DAWNS and has been awarded fellowships from Sundance, Fulbright, NYSCA/NYFA, Jerome, New York Theatre Workshop, and Kundiman. MFA: Columbia.