The best Fast and Furious movie (by an absolute mile) is Fast Five - and that's because of the effort that went into its practical action set pieces. Here's why.

Timestamps:
0:00 A Quarter-Mile at a Time
0:44 The Fifth One
1:08 Lin for the Win
2:00 Heist Time
2:57 Stuntwork Ballet
4:05 Problem Solving

Attributions/Sources Used:

Vanity Fair Jack Gill Interview:    • Fast Five's Stunt Coordinator Breaks ...  
Fast Five Behind the Scenes Interviews with Justin Lin (DVD extras)
Justin Lin Fast Five Press Interview:    • FAST & FURIOUS 5 (Fast Five) Intervie...  


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ATTRIBUTIONS:

This video contains copyrighted material from the feature films/TV shows listed below. I believe all content used falls under the remits of Fair Use (see below), but if any content owners would like to dispute this I will not hesitate to remove said content. It is not my intent in any way to infringe on their content ownership.

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Fast and Furious
Fast X
Fast Five
Dominic Toretto
Brian O'Connor
Vin Diesel
Paul Walker
Letty
Luke Hobbs
Mia Toretto
Giselle
Roman
Tez
Deckard Shaw
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As the original material is transformative in nature, uses no more of the original than necessary, and has no negative effect on the market for the original work, the copyright material has been used in accordance with the Fair Use Copyright Disclaimer under section 107 of the Copyright Act (1976):
Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.

FAIR DEALING DISCLAIMER:
This video constitutes "Fair Dealing" and does not violate Australian copyright law. As outlined by the Australian Copyright Act of 1968, Division 3 Section 41: "A fair dealing with a literary, dramatic, musical or artistic work, or with an adaptation of a literary, dramatic or musical work, does not constitute an infringement of the copyright in the work if it is for the purpose of criticism or review, whether of that work or of another work, and a sufficient acknowledgment of the work is made." The video is transformative in nature, uses no more of the original than necessary and has no negative effect on the market for the original work.