The secondary dominant is a great way to let your chord progressions stand out. It is the proven method that many Pop, Rock and Jazz composers use to create recognizable characteristic chord progressions. In this video you’ll see a lot of examples of the use of a secondary dominant by looking at well known songs like Mr. Sandman, Hey Jude, Creep, Piano man, Bohemian Rapsody, Happier than ever and many more. We will also look at the deceptive cadence and diminished chords and tritone substitutions that can be used as a secondary dominant. At the end of the video we’ll look at the back cycle technique which is a staple in Jazz and also used in Pop and Rock songs.

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E-book:
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Chapters:
0:00 Introduction
01:13 The dominant chord
03:24 The secondary dominant
06:37 Finding the secondary dominant
09:42 Songs
13:32 Deceptive cadence
15:17 Diminished secondary dominant
17:51 Tritone substitution as a secondary dominant
19:29 Back Cycle
22:23 Conclusion
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