117▶️ Siblings 🎭 3/3 (Vermona Perfourmer Mk2 + H9 + Pill // DRM1 + Particle + Bigsky // Keystep Pro)
2-Minute Warning 2-Minute Warning
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 Published On Jun 14, 2024

Let's dance 💃🕺 for this last video closing the trilogy with the siblings:Vermona Perfourmer Mk2 (    • Perfourmer MkII (Vermona)   ) and DRM-1 Mk4 (    • DRM-1 MKIV (Vermona) - Analog drum sy...   )
sequenced by the Keystep Pro ( https://www.youtube.com/playlist?list....

I made heavy use of a lot of cool features of the Keystep Pro like: polymeter, randomness, looper, transposing within scale, scenes, individual drum mutes, time shift, quick toggle between 2 drum patterns (this one is a bit of a trick of mine) 🤩

So the track starts with the KSP's Track 3 sequencing 3-note CHORDS played by voices 2, 3 & 4 of the Perfourmer (going through the H9 - Shimmer reverb).

I then unmute the DRUM track (KICK and SNARE played by the DRM-1) and BASS (played by the Perfourmer, but going out DRY by its seperate audio output).

The other tracks are then unmuted and I start to transpose live the played sequences (you know I love this feature, right? 😁).

* Hardware used *

// BASS:
- Vermona Perfourmer Mk2 Voice 1 (Saw oscillator then switched to Pulse with manual modulation of the PWM created a fat metallic BASS sound 🥰)

// CHORDS:
- Vermona Perfourmer Mk2 Voice 2, 3 & 4 + Eventide H9 Max (shimmer reverb) + Pill (ducking pedal, triggered by the KICK from DRM-1)

// DRUMS:
- Vermona DRM-1 Mk4 (8-voice analog drum synth) with Strymon Bigsky reverb (on the MULTI's output) and Red Panda Particle 2 granular delay (on the HI-HAT2 output in insert mode)

// SEQUENCER:
- Arturia Keystep Pro

#drm1 #perfourmer #keysteppro
‪@vermonagear‬ ‪@ArturiaOfficial‬ ‪@EventideAudio‬ ‪@strymon‬ ‪@thepillpedal‬ ‪@redpandalab‬

Recorded it one shot and mixed in Ableton Live.

If you enjoyed this video and would like to see some more, please feel free to like comment / like / subscribe!

Sharing with you some "best kept secret" gear pictures 😅
  / 2_minutewarning  

Thanks!
@2-Minute Warning.

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